Andreas Müller-Pohle, born in Braunschweig in 1951, is a Berlin-based media artist and publisher. He studied economics and communication sciences at the Universities of Hannover and Göttingen. In 1979, he founded European Photography, an independent art magazine for contemporary photography and new media. His first artistic projects in the late 1970s focused on issues of photographic perception and later on photo recycling, now also incorporating video. In the mid-1990s he began to explore the use of digital, genetic, and political codes. This was followed by various projects on the topic of water, with extensive portraits of the Danube River and the megalopolis of Hong Kong. Müller-Pohle’s work has been widely published and exhibited and is included in numerous private and museum collections worldwide. As a publisher, Müller-Pohle has edited the major works of the media philosopher Vilém Flusser, available today in the ten-volume Edition Flusser and including the groundbreaking Philosophy of Photography, which has been translated into over twenty languages. With the publication of Flusser’s essay Die Schrift: Hat Schreiben Zukunft? (Does Writing Have a Future?) on floppy disk in 1986, he is one of the pioneers of today’s e-book. In 2001, Müller-Pohle was awarded the European Photography Prize by the Reind M. De Vries Foundation. He is the author of numerous texts on photographic theory, including “Visualism,” and has been a visiting professor and lecturer at, among others, the Higher Institute of Fine Arts in Antwerp, Belgium, and the Hong Kong Design Institute. In addition to various singular subjects, he is engaged in two long-term projects in which he combines photography, video and sound: Studies on Water, including his portraits of the Danube and Hong Kong’s waterscapes, and Studies on Traffic, exploring mobility phenomena in different regions of the world. He is currently working on a book about Vladimir Putin and his relationships with foreign leaders and cultural figures entitled Putin’s Long Shadows. Another theoretical and practical focus of his work is projects at the intersection of photography and artificial intelligence. – See also https://equivalence.com/andreas-mueller-pohle
Exhibitions, Screenings, Installations
2023
“Épreuves de la matière. La photographie contemporaine & ses métamorphoses.” Bibliothèque nationale de France, Paris, France
“Noir et Blanc. Une esthétique de la photographie.” Bibliothèque nationale de France, Paris, France
“Andreas Müller-Pohle: Okoljski odtisi / Environmental Imprints.” Cankarjev dom, Ljubljana, Slovenia
“Concrete & Generative Photography. From Light and Paper to NFT and Artificial Intelligence (AI).” Photo Edition Berlin, Germany
2022
“Andreas Müller-Pohle: Studies on Traffic. Hanoi, 2013.” Künstlerhaus Bethanien, Berlin Germany
“Andreas Müller-Pohle: Studies on Water.” Lumenvisum Gallery, Hong Kong
2021
“Andreas Müller-Pohle: Mers et Rivières.” Pavillon Populaire, Montpellier, France
“Andreas Müller-Pohle: Face Codes.” Serdica Gallery, International Digital Arts Festival DA Fest, Sofia, Bulgaria
“Andreas Müller-Pohle: Video Works 1996–2021.” Ludwik Zamenhof Centre, Interphoto 2021, Białystok, Poland
2020
“Schupmann Collection – Fotografie in Westdeutschland.” Museum im Kulturspeicher, Würzburg, Germany
2018
“Land_Scope.” Münchner Stadtmuseum, Munich, Germany
“Analog und Schwarzweiß: Fotografie in Westdeutschland 1945–2000 aus der Sammlung Schupmann.” Kunsthalle Erfurt, Germany
“Open Codes II. The World as a Field of Data.” ZKM | Center for Art and Media, Karlsruhe, Germany
“Naturel Pas Naturel.” Palais Fesch – Musée des Beaux-Arts, Ajaccio, Corsica
“Runes: Photography and Decipherment.” Centre for Contemporary Photography, Melbourne, Australia
2017
“Open Codes. Living in Digital Worlds.” ZKM | Center for Art and Media, Karlsruhe, Germany
“The Waterful Kaunas.” Kaunas Photo 2017, Kaunas, Lithuania
2016
“Concrete and Generative Photography – Part 2.” Photo Edition Berlin, Germany
“The Memory of the Future. Photographic Dialogues Between Past, Present and Future.” Musée de l’Elysée, Lausanne, Switzerland
“Emanations: The Art of the Cameraless Photograph.” Govett-Brewster Art Gallery/Len Lye Centre, New Plymouth, New Zealand
“Map of Daily Life.” Tianjin Academy of Fine Arts, Tianjin, China
“Vom Schreiben, Reisen und Fotografieren.” Kunsthaus Horn; Rathaus Scheibbs; Dorfmuseum Roiten; Schüttkasten Allentsteig; Konzerthaus Weinviertel, Ziersdorf, Austria
2015
“Bodenlos – Vilém Flusser und die Künste / Without Ground – Vilém Flusser and the Arts.” Akademie der Künste, Berlin, Germany
“Map of Daily Life.” Lishui Photography Festival 2015, Lishui Art Museum, Lishui, China
“Nicéphore Niépce en héritage.” Musée Nicéphore Niépce, Chalon-sur-Saône, France
“Bodenlos – Vilém Flusser und die Künste / Without Ground – Vilém Flusser and the Arts.” ZKM | Center for Art and Media, Karlsruhe, Germany
“Über Wasser. Malerei und Photographie von William Turner bis Olafur Eliasson / When Water Matters. Painting and Photography from J.M.W. Turner to Olafur Eliasson.” Bucerius Kunst Forum, Hamburg, Germany
“Lichtbild und Datenbild – Spuren Konkreter Fotografie / Light Image and Data Image – Traces of Concrete Photography.” Museum im Kulturspeicher, Würzburg, Germany
2014
“Andreas Müller-Pohle: Coincidences. A Select Retrospective.” Prague City Gallery, House of Photography, Prague, Czech Republic
“(Mis)Understanding Photography. Werke und Manifeste.” Museum Folkwang, Essen, Germany
“Zwischenspielraum.” Artificial Image, Fahrbereitschaft, Berlin, Germany
2013
“Andreas Müller-Pohle: Hong Kong Waters.” Lianzhou Foto, The Granary, Lianzhou, China
“Andreas Müller-Pohle: Hong Kong Waters.” Ida Illuster Gallery, Pavilion at Milchhof Ateliers, Berlin, Germany
“Something Other Than Photography: Photo & Media.” Edith-Russ-Haus for Media Art, Oldenburg, Germany
“Andreas Müller-Pohle: Hong Kong Waters.” Asia One Vertical Art Space, Hong Kong
2012
“Network – C.A.R. Contemporary Art Ruhr.” Zaha Museum, Seoul, South Korea
“Andreas Müller-Pohle: Codes & Waters (1995–2011).” The Brno House of Arts, Brno, Czech Republic
“Sense of Place. European Landscape Photography.” Bozar, Centre for Fine Arts, Brussels, Belgium
“What is a Photograph?” New Orleans Museum of Art, New Orleans, Louisiana, USA
“Andreas Müller-Pohle: Entropia, Hiroshima 29/3/01, Hong Kong Waters, Yumiko, Araki at Work.” 8th International Directors Lounge, Berlin, Germany
2011
“Andreas Müller-Pohle: flow, flow. Foto, Video, Sound.” Photo Edition Berlin, Berlin, Germany
“Metropolis 2.0 – City Life in the Urban Age.” The Empty Quarter, Dubai, United Arab Emirates
“Metropolis – City Life in the Urban Age.” Noorderlicht Photofestival, Groningen, Netherlands
“Andreas Müller-Pohle: Hong Kong Waters.” Lumenvisum Gallery, Hong Kong
“L’objet photographique, une invention permanente.” Maison Européenne de la Photographie, Paris, France
“Andreas Müller-Pohle: Hong Kong Waters. Photo/Video/Sound.” Hong Kong Arts Centre, Hong Kong
“Andreas Müller-Pohle: The Danube River Project.” Gesshin-in Temple, Kyoto, Japan
2010
“Andreas Müller-Pohle: The Danube River Project.” Nessim Galéria, Budapest, Hungary
2009
“Andreas Müller-Pohle: The Danube River Project.” Athens Photo Festival, Esplanade Building, Faliron Olympic Complex, Athens, Greece
“Andreas Müller-Pohle: The Danube River Project.” Fototriennale.dk, Naturama – Modern Natural History, Svendborg, Denmark
“Kosmos. Neue Fotografien aus dem Weltraum.” Stadthaus Ulm, Germany
2008
“Andreas Müller-Pohle: The Danube River Project.” European Month of Photography, Uferhallen, Berlin, Germany
2007
“Andreas Müller-Pohle: The Danube River Project.” Europäisches Donaumuseum, Stadtmuseum, Ingolstadt, Germany
“Andreas Müller-Pohle: Photo/Video/Sound. Arbeiten 1995–2006.” Städtische Galerie, Palais Stutterheim, Erlangen, Germany
2006
“Wahr-Zeichen. Fotografie und Wissenschaft.” Technische Sammlungen Dresden/Museen der Stadt Dresden, Germany
“Andreas Müller-Pohle: The Danube River Project.” Donaumarkt, Regensburg, Germany
“Alterazioni. Le materie della fotografia tra analogico e digitale.” Museo Fotografia Contemporanea, Milan, Italy
“Pulsar Caracas 2006.” Encuentro internacional multimedia, Centro de Arte Periférico Caracas, Caracas, Venezuela
“Andreas Müller-Pohle: Projekat reka Dunav / The Danube River Project.” Belgrade Cultural Center, Art Gallery, Belgrade, Serbia
“Troubled Water.” De Veemvloer, Amsterdam, Netherlands
“Andreas Müller-Pohle: The Danube River Project.” Central European House of Photography, Bratislava, Slovakia
“Andreas Müller-Pohle: The Danube River Project.” Donauschwäbisches Zentralmuseum, Ulm, Germany
2005
“Andreas Müller-Pohle: codeZone. Digitale Arbeiten.“ Stadtgalerie im Elbeforum, Brunsbüttel, Germany
“Andreas Müller-Pohle: codeZone. Digital Works 1995-2005.” Stary Browar – Galeria i Słodowni, IV Biennale Fotografii w Poznaniu, Poznan, Poland
“Andreas Müller-Pohle: codeZone. Digital Works 1995–2005.” Aura Gallery, Shanghai, China
2004
“Andreas Müller-Pohle: codeZone. Digital Works 1995–2003.” Dom umenia, Month of Photography, Bratislava, Slovakia
“Metamorfoses do Real.” Mosteiro de Tibães, Encontros da Imagem, Braga, Portugal
“Andreas Müller-Pohle: codeZone. Digital Works.” Muzeul Literaturii Române / Romanian Literature Museum, Bucharest, Romania
“p0es1s. Digital Poetry.” Kulturforum Potsdamer Platz, Berlin, Germany
2003
Rencontres Internationales Paris/Berlin, Podewil, Berlin, Germany
“Andreas Müller-Pohle: CodeZone. Digitale Arbeiten 1995–2003.” Museum für Photographie, Brunswick, Germany
“Hiroshima Art Document 2003.” The Former Bank of Japan, Hiroshima, Japan
“In Out.” International Festival of the Digital Image. Galerie Karolinum & Old Town Square, Prague, Czech Republic
Rencontres Internationales Paris/Berlin, Immanence, Paris, France
2002
“Andreas Müller-Pohle: CodeZone. Digital Projects.” Gallery Ississ, Kyoto, Japan
“Andreas Müller-Pohle: CodeZone. Digital Projects.” Gallery Prinz, Kyoto, Japan
“Situated Realities. Where Technology and Imagination Intersect.” Minneapolis College of Art and Design, Minneapolis, Minnesota, USA
“Situated Realities. Where Technology and Imagination Intersect.” Art Center College of Design, Pasadena, California, USA
“Andreas Müller-Pohle: Atomic Laughter.” Galerie Esther Woerdehoff, Paris, France
“Andreas Müller-Pohle: Interfaces.” FotoFest, Topek Building, Houston, Texas, USA
“Situated Realities. Where Technology and Imagination Intersect.” Maryland Institute College of Art, Baltimore, Maryland, USA
2001
“Los límites del territorio. Fronteras.” Sala de Exposiciones „El Aljibe.” Haría, Bienal de Lanzarote, Spain
“ex machina. Über die Zersetzung der Fotografie.” Galerie Schüppenhauer, Cologne, Germany
“Sammlung Schupmann. Fotografie in Deutschland nach 1945.” Museum für Photographie, Brunswick, Germany
“ex machina. Über die Zersetzung der Fotografie.” Neue Gesellschaft für Bildende Kunst / Künstlerhaus Bethanien, Berlin, Germany
2000
“Landschaften in der zeitgenössischen Fotografie. Aus der Sammlung der DG Bank.” Landesmuseum für Kunst und Kulturgeschichte, Oldenburg, Germany
“Andreas Müller-Pohle: Digital Scores, Entropia.” The Museum of Contemporary Photography, Chicago, Illinois, USA
“Aires: Luz y Sombra de Las Palmas de Gran Canaria.” Museo Internacional de Arte Contemporáneo, Arrecife, Lanzarote, Spain
“Andreas Müller-Pohle: Interfaces.” Galerie Esther Woerdehoff, Paris, France
“Watch Me (Watch You).” Photosynkyria 2000, Thessaloniki Museum of Photography, Thessaloniki, Greece
“Andreas Müller-Pohle: Entropia.” Tschumi Pavillon, Groningen, Netherlands
1999
“Aires: Luz y Sombra de Las Palmas de Gran Canaria.” Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain
“Das XX. Jahrhundert. Ein Jahrhundert Kunst in Deutschland.” Staatliche Museen zu Berlin, Neue Nationalgalerie, Berlin, Germany
“Flous et modernités. La rêverie du devenir.” Rencontres Internationales de la Photographie, Le Capitole, Arles, France
“Andreas Müller-Pohle: Interfaces. Fotografické práce a videa 1977–1999.” Galerie Václava Špály, Prague, Czech Republic
“Attack! Photography on the Edge.” Holland Festival, Arti et Amicitiae, Amsterdam, Netherlands
“Veni, Vidi, Vidéo.” Ecole supérieure d’art, Cambrai, France
“Andreas Müller-Pohle: Interfaces. Foto + Video 1977–1999.” Altes Rathaus, Göttingen, Germany
1998
“Andreas Müller-Pohle: Synopsis.” Gallery Ississ, Kyoto, Japan
“One Hundred Fine Photographs.” Eaton Fine Art, West Palm Beach, Florida, USA
“Andreas Müller-Pohle: Kódex.” Mücsarnok / Kunsthalle, Budapest, Hungary
“Fotografie in Deutschland nach 1945. Die Sammlung Schupmann.” Residenzschloss Arolsen, Germany
“Andreas Müller-Pohle: Digitális partitúrák és Entropia.” Galéria Goethe-Institut, Budapest, Hungary
1997
“Andreas Müller-Pohle: Synopsis.” The Print Center, Philadelphia, Pennsylvania, USA
“Andreas Müller-Pohle: Entropia.” Museum für Photographie & Wasserturm am Giersberg, Brunswick, Germany
“Analog – Digital. Fotografie im Übergang.” Museum für Photographie, Brunswick, Germany
“Allemagne, années 80. Aspects de la photographie allemande contemporaine dans les collections du Fond National d’Art Contemporain et de la Maison Européenne de la Photographie.” Maison Européenne de la Photographie, Paris, France
“Photography After Photography. Memory and Representation in the Digital Age.” Institute of Contemporary Art, Philadelphia, Pennsylvania, USA
“Andreas Müller-Pohle: Synopsis.” Goethe-Institut, Houston, Texas, USA
“Andreas Müller-Pohle: Synopsis.” Goethe-Institut, Atlanta, Georgia, USA
“Andreas Müller-Pohle: Entropia.” Kunstverein Rüsselsheim, Germany
“Andreas Müller-Pohle: Synopsis.” Vu – Centre de la Photographie, Québec, Canada
“Photography After Photography. Memory and Representation in the Digital Age.” The Finnish Museum of Photography, Helsinki, Finland
“Andreas Müller-Pohle: Cyclogrammes.”Galerie Mantoux-Gignac, Paris, France
“Andreas Müller-Pohle: Partitions digitales et Signa.” Galerie Condé, Paris, France
1996
“Photography After Photography. Memory and Representation in the Digital Age.” Fotomuseum Winterthur, Switzerland
“Vidéo Art Plastique : 10ièmes Rencontres Hérouville Saint-Clair 1996.” Centre d’Art Contemporain de Basse-Normandie, Hérouville Saint-Clair, France
“Photography After Photography. Memory and Representation in the Digital Age.” Museet for Fotokunst, Odense, Denmark
“Photography After Photography. Memory and Representation in the Digital Age.” Brandenburgische Kunstsammlungen, Cottbus, Germany
“Andreas Müller-Pohle: Entropa.“ 14th World Wide Video Festival, Gemeentemuseum, The Hague, Netherlands
“Photography After Photography. Memory and Representation in the Digital Age.” Städtische Galerie Erlangen, Germany
“Photography After Photography. Memory and Representation in the Digital Age.” Kunsthalle Krems, Austria
“Andreas Müller-Pohle: Digital Scores II (after Nicéphore Niépce).” Photosynkyria 96, Gallery 111, Thessaloniki, Greece
1995
“Photography After Photography. Memory and Representation in the Digital Age.” Aktionsforum Praterinsel, Munich, Germany
“Andreas Müller-Pohle: De Perrudja à Perlasca.” Espace Photographique Contretype, Brussels, Belgium
“Andreas Müller-Pohle: Perlasca Pictures.” Kunstverein Hildesheim, Germany
1994
“Andreas Müller-Pohle: Perlasca Motion Pictures.” The House of Balabanov, Plovdiv, Bulgaria
“Paysage de l’apparence.” Mai de la Photo, Collège des Jésuites, Reims, France
“Photogramme: une pratique contemporaine.” Espace Photographique Contretype, Brussels, Belgium
“Deutsche Kunst mit Photographie: Die 90er Jahre.” Rheinisches Landesmuseum, Bonn, Germany
1993
“Wiederbegegnung.” Marburger Kunstverein, Marburg, Germany
“Andreas Müller-Pohle: Perlasca Pictures.” Centre de la Photographie, Geneva, Switzerland
“Deutsche Kunst mit Photographie: Die 90er Jahre.” Deutsches Architekturmuseum, Frankfurt, Germany
“Andreas Müller-Pohle.” Galeria Documenta, São Paulo, Brazil
1992
“Andreas Müller-Pohle: Signa / Cyclograms.” Fotogalerie Wien, Vienna, Austria
“L’Échappée européenne.” Mois de la Photo, Pavillon des Arts, Paris, France
“Première Photo.” Mois de la Photo, Galerie du Jour Agnès B., Paris, France
1991
“O Coraçao da Ciência / Au coeur de la science.” Espace Photographique Contretype, Brussels, Belgium
“The Persistence of Memory.” Third Israeli Biennale of Photography, Mishkan Le’Omanut, Museum of Art, Ein Harod, Israel
“Andreas Müller-Pohle: Was ich nicht sehe, fotografiere ich. Was ich nicht fotografiere, sehe ich. Arbeiten 1976–1991.“ Brandenburgische Kunstsammlungen, Cottbus, Germany
“Européens.” Festival Photographique du Trégor, Centre Jean Savidan, Lannion, France
“O Coraçao da Ciência / Au coeur de la science.” Centro de Estudos de Fotografia, Coimbra, Portugal
1990
“Dokument und Erfindung – Fotografien aus der Bundesrepublik Deutschland 1945 bis heute.” Moore College of Art and Design, Philadelphia, Pennsylvania, USA
1989
“Dokument und Erfindung – Fotografien aus der Bundesrepublik Deutschland 1945 bis heute.” Augustinermuseum, Freiburg, Germany
“Das Foto als autonomes Bild – Experimentelle Gestaltung 1839-1989.” Bayerische Akademie der Schönen Künste, Munich, Germany
“Intern – Extern.” Galerieforum, Berufsverband Bildender Künstler, Düsseldorf, Germany
“Das Foto als autonomes Bild – Experimentelle Gestaltung 1839-1989.” Kunsthalle Bielefeld, Germany
“What is Photography?” Mánes Gallery, Prague, Czechoslovakia
“Fotovision – Projekt Fotografie nach 150 Jahren.” Museum für Gestaltung, Zurich, Switzerland
“Dokument und Erfindung – Fotografien aus der Bundesrepublik Deutschland 1945 bis heute.” Haus am Lützowplatz, Berlin, Germany
“Andreas Müller-Pohle: Fotografie.” Galerie Stará radnice, Brno, Czechoslovakia
“Fotovision – Projekt Fotografie nach 150 Jahren.” Kunstraum im Messepalast, Vienna, Austria
“Weitblick – Aspekte einer Kunst mit Fotografie.” Universitätsmuseum für Kunst und Kulturgeschichte, Marburg, Germany
1988
“Andreas Müller-Pohle: Dacapo.“ Galerie für Fotografie Jutta Rössner, Stuttgart, Germany
“Andreas Müller-Pohle: Dacapo.” Círculo de Artes Plásticas, Coimbra, Portugal
“Fotovision – Projekt Fotografie nach 150 Jahren.” Sprengel Museum, Hanover, Germany
“L’art moderne à Marseille. La collection du Musée Cantini.” Musée Cantini, Marseille, France
“Fotografische Bilder.” Deutscher Künstlerbund, Mannheimer Kunstverein, Mannheim, Germany
1987
“Fotografische Bilder.” Deutscher Künstlerbund, Städtische Galerie, Nordhorn, Germany
“Andreas Müller-Pohle: Transformance.” Galerie Studio 666, Paris, France
“Andreas Müller-Pohle: Transformance.” Marburger Kunstverein, Marburg, Germany
“Le temps d’un mouvement.” Centre National de la Photographie, Paris, France
“Fotografische Bilder.” Deutscher Künstlerbund, Forum Böttcherstraße, Bremen, Germany
“Andreas Müller-Pohle: Transformance.” Galeria Fotografii Elementarnej, Lądek Zdrój, Poland
“Andreas Müller-Pohle: Transformance.” Espai F, Granollers/Barcelona, Spain
1986
“Andreas Müller-Pohle: Transformance.” Museu da Imagem e do Som, São Paulo, Brazil
“Andreas Müller-Pohle: Transformance.” Funarte, Rio de Janeiro, Brazil
“Polaroid Collection – Selections 3.” photokina, Cologne, Germany
“Himmelsschreiber: Dimensionen eines flüchtigen Mediums.” Kunstverein Kassel, Germany
“Foco 86.” Circulo de Bellas Artes, Madrid, Spain
“Andreas Müller-Pohle: Transformance.” Galeria Foto-Medium-Art, Wroclaw, Poland
“Andreas Müller-Pohle: Transformance.” Hasselblad Gallery, Göteborg, Sweden
“Fotografie: Abbildung? Einbildung?.” Museum am Ostwall, Dortmund, Germany
“Andreas Müller-Pohle: Transformance.” Galeria Agorà, Turin, Italy
“Fotografia Elementarna.” Galeria Sztuki Wspólczesnej, Szczecin, Poland
1985
“II Jornades Fotogràfiques a València.” Valencia, Spain
“Andreas Müller-Pohle: Transformance.” Galerie für Fotografie Jutta Rössner, Stuttgart, Germany
“New Photographic Trends from Europe.” Malmö Konsthall, Malmö, Sweden
“Das Aktfoto. Ansichten vom Körper im fotografischen Zeitalter.” Museum moderner Kunst, Vienna, Austria
“Andreas Müller-Pohle: Transformance.” Photo-Galerie 52, Luxemburg
“Das Aktfoto. Ansichten vom Körper im fotografischen Zeitalter.” Münchner Stadtmuseum, Munich, Germany
“Andreas Müller-Pohle: Transformance.” Fotoforum Bremen, Bremen, Germany
“Zeitgenössische deutsche Fotografen.” Museum für Photographie, Brunswick, Germany
“The European Edge – New Photographic Trends from Europe.” Museum of Photographic Arts, San Diego, California, USA
1984
“La Photographie créative.” Bibliothèque Nationale/Pavillon des Arts, Paris, France
“Fünf Fotografen. Andreas Müller-Pohle, Floris Michael Neusüss, Loni Liebermann, Jaschi Klein, Ulrich Tillmann.” Kunstverein Langenhagen, Germany
“Contemporary European Photography.” Benteler Galleries, Houston, Texas, USA
“Andreas Müller-Pohle: Transformance.” Casa do Infante, Porto, Portugal
“Contemporary German Photographers.” Santa Fe Center for Photography, Santa Fe, New Mexico, USA
“5.os Encontros de Fotografia de Coimbra.” Edificio Chiado, Coimbra, Portugal
1983
“Andreas Müller-Pohle: Transformance.” Galerie Studio 666, Paris, France
“Photographie in Deutschland: heute.” Het Wapenschild, Antwerp, Belgium
“Zeitgenössische europäische Fotografie.” Museum zu Allerheiligen, Schaffhausen, Switzerland
“Photographie in Deutschland: heute.” Musée de la Photographie, Charleroi, Belgium
“Andreas Müller-Pohle: Transformance.” Galerie Perspektief, Rotterdam, Netherlands
“57 Fotografi Contemporanei Europei.” Palazzo Novellucci, Prato, Italy
“Bugünün Avrupa Fotografi / European Photography Today.” Dost Sanat Ortami, Ankara, Turkey
“Photographie in Deutschland: heute.” Cultureel Centrum, Hasselt, Belgium
“Fotografie ’83.” Stadthalle Wien, Vienna, Austria
“European Photography.” Benteler Galleries, Houstpn, Texas, USA
“Photographie in Deutschland: heute.” Koninklijke Akademie voor Schone Kunsten, Ghent, Belgium
“La mirada seducida.” Galeria Forum, Tarragona, Spain
“Andreas Müller-Pohle: Transformance.” Camera Obscura Gallery, Stockholm, Sweden
1982
“International Photographers.” Eaton/Shoen Gallery, San Francisco, California, USA
“Andreas Müller-Pohle: Extractions und Konstellationen.” Galerie Pro Photo, Nuremberg, Germany
“European Photography: Recovering our Face through the Image.” 3rd Meeting per l’Amicizia fra i Popoli, Rimini, Italy
“Andreas Müller-Pohle: Photographs.” Benteler Galleries, Houston, Texas, USA
“Andreas Müller-Pohle: Fotografien.” Galerie Foto Art Karin Steins, Frankfurt/Main, Germany
1981
“Eight Contemporary European Photographers.” Rice Media Center, Houston, Texas, USA
“New German Photography.” Royal Photographic Society, Bath, United Kingdom
“Erweiterte Fotografie.” 5. Internationale Biennale, Wiener Secession, Vienna, Austria
“New German Photography.” Gallery of Photography, Dublin, United Kingdom
“Andreas Müller-Pohle: Konstellationen/Extractions.” Galerie Renner, Munich, Germany
“Aspekte zeitgenössischer deutscher Fotografie.” PPS-Galerie, Hamburg, Germany
“New German Photography.” The Rochdale Art Gallery, Rochdale, United Kingdom
“Andreas Müller-Pohle: Konstellationen/Extractions.” Forum Stadtpark, Graz, Austria
“Andreas Müller-Pohle: Konstellationen/Extractions.” Galerie Novum, Hanover, Germany
“New German Photography.” Open Eye Gallery, Liverpool, United Kingdom
“New German Photography.” The Photographic Gallery, Cardiff, United Kingdom
“Drei Fotografen: Larry Fink, Andreas Müller-Pohle, Michael Schmidt.” Kunstmuseum Düsseldorf, Germany
“Andreas Müller-Pohle: Konstellationen/Extractions.” Galerie Ruth Remus, Dusseldorf, Germany
“Abstraction and Reality.” Galleria Flaviana, Locarno, Switzerland
“Andreas Müller-Pohle: Fotografie.” Salzburg College Gallery, Salzburg, Austria
“New German Photography.” Photographers’ Gallery, London, United Kingdom
“Imaginación y Realidad – 7 aspectos de la fotografía subjetiva.“ Instituto Alemán, Madrid, Spain
1980
“Imaginação e Realidade – 7 aspectos da fotografia subjetiva.” Galeria JN, Porto, Portugal
“Imaginação e Realidade – 7 aspectos da fotografia subjetiva.” Instituto Alemao, Lisbon, Portugal
“Vorstellungen und Wirklichkeit – 7 Aspekte subjektiver Fotografie.” Fundació Miró, Barcelona, Spain
“Vorstellungen und Wirklichkeit – 7 Aspekte subjektiver Fotografie.” Künstlerhaus Wien, Vienna, Austria
“Vorstellungen und Wirklichkeit – 7 Aspekte subjektiver Fotografie.” Städtisches Museum Leverkusen, Germany
1979
“Andreas Müller-Pohle: Fotografien.” Work Gallery, Zurich, Switzerland
“Andreas Müller-Pohle: Fotografien.” Art Studio, Cologne, Germany
1978
“Andreas Müller-Pohle: Konstellationen.” Galerie Krebaum, Weinheim, Germany
“Andreas Müller-Pohle: Konstellationen.” Galerie Trockenpresse, Berlin, Germany
“Fotografie im Künstlerhaus.” Künstlerhaus Göttingen, Germany
Books and Monographic Catalogues
Andreas Müller-Pohle: Mers et rivières. Edited by Gilles Mora, with texts by Gilles Mora, Hubertus von Amelunxen and Andreas Müller-Pohle. Paris: Editions Hazan, 2021
Andreas Müller-Pohle: Hong Kong Waters. With an introduction by Oscar Ho. Heidelberg: Kehrer Verlag / Hong Kong: Asia One Books, 2013
Andreas Müller-Pohle: The Danube River Project. With an essay by Ivaylo Ditchev. Berlin: Peperoni Books, 2008
andreas muellerpohle – photo/video/sound 1995–2006. Erlangen: Städtische Galerie, 2006 (DVD)
Andreas Müller-Pohle: codeZone. Digital Works 1995–2005. With an essay by Gu Zheng. Shanghai: Aura Gallery, 2005
Andreas Müller-Pohle: CodeZone. Digitale Arbeiten 1995–2003. Braunsschweig: Museum für Photographie, 2003
Andreas Müller-Pohle: Yumiko. Portland: Nazraeli Press, 2003
Andreas Müller-Pohle: Interfaces. Foto+Video 1977–1999. Edited by Hubertus von Amelunxen. Göttingen: European Photography, 1999 (German/Englisch)
Andreas Müller-Pohle: Digitális Partitúrák III. With a preface by László Beke and essays by Florian Rötzer and Andreas Müller-Pohle. Budapest: Mücsarnok / Art Hall, 1998 (Hungarian/German)
Andreas Müller-Pohle: Synopsis. With an essay by A.D. Coleman. Atlanta/Houston: Goethe Institutes, 1997 (English)
Andreas Müller-Pohle: Synopsis. With an essay by A.D. Coleman. Québec: Vu – Centre de la Photographie, 1997 (French)
Andreas Müller-Pohle: Partitions digitales I (d’après Niépce). With an essay by Florian Rötzer. Paris: Galerie Condé, 1997 (French/German)
Andreas Müller-Pohle: Perlasca Pictures. With an essay by Hubertus von Amelunxen. Hildesheim: Kunstverein Hildesheim, 1995 (German)
Andreas Müller-Pohle: Signa. With an essay by Carl Aigner. Vienna: Fotogalerie Wien, 1992 (German/English)
European Photography Award. Edited by Andreas Müller-Pohle. Göttingen: European Photography, 1991, 1992, 1993 (German/English)
Andreas Müller-Pohle: Was ich nicht sehe, fotografiere ich. Was ich nicht fotografiere, sehe ich. Arbeiten 1976–1991. With a preface by Ullrich Wallenburg and an essay by Vilém Flusser. Cottbus: Brandenburgische Kunstsammlungen, 1991 (German)
Andreas Müller-Pohle: Transformance. With an essay by Vilém Flusser. Göttingen: European Photography, 1983 (German/English)
Fotografie in Europa heute (Dumont Foto 4). Edited by Andreas Müller-Pohle. Cologne: DuMont Buchverlag, 1982 (German)
Andreas Müller-Pohle: Aus dem Zyklus “Konstellationen.” Göttingen: Self-published, 1978
Selected Writing
“Künstlich intelligente Bilderwelt / Artificially Intelligent Image World.” European Photography, Berlin, no. 114, Winter 2023/2024. – Polish translation: “Świat Obrazów Sztucznej Inteligencji.” Kwartalnik Fotografia, Września, no. 44, March 2024. – Chinese translation: “人工智能图像世界.” Chinese Photography, Beijing, no. 2, February 2024. – https://equivalence.com/artificial-intelligence
“Human/Nature.” European Photography, Berlin, no. 111, Summer 2022
“Black-and-White as a Code.” European Photography, Berlin, no.110, Winter 2021/2022
“Photography in Real-Time.” European Photography, Berlin, no. 107/108, 2020
“Talking Photography. 100 Pictures that Tell a Story.” European Photography, Berlin, no. 100, Winter 2016/2017
“Code”, “Immatrix Publications”. Siegfried Zielinski, Peter Weibel, Daniel Irrgang (eds.): Flusseriana. An Intellectual Toolbox. Karlsruhe: ZKM | Center for Art and Media, 2015
“Retro-Photography.” European Photography, Berlin, no. 94, Winter 2013/2014
“A Few Words On German Photography.” Monthly Photography, Seoul, no. 536, September 2012
“Photography, the Enemy of Privacy.” European Photography, Berlin, no. 90, Winter 2011/2012
“Net Photography.” European Photography, Berlin, no. 88, Winter 2010/2011
“La Dimension photographique / The Photographic Dimension.” Rik Gadella (ed.): Paris Photo 1997. Paris: IPM, 1997
“Concepts de la photographie allemande après 1945.” Une aventure contemporaine, la photographie 1955–1995. Paris: Éditions Paris Audiovisuel, 1996
“La dimensión fotográfica. Estrategias contemporáneas en el arte.” Papel Alpha, Salamanca, no. 1, 1996
“A dimensión fotográfica. Estratexias contemporáneas na arte.” Manuel Vilariño (ed.): A Fotografía na arte contemporánea. A Coruña: Centro Galego de Artes da Imaxe, 1996
“Analogisieren, Digitalisieren, Projizieren.” Hubertus von Amelunxen et al. (eds.): Fotografie nach der Fotografie. Basel: Verlag der Kunst/G+B Arts, 1995. – English translation: “Analog, Digital, Projective.” Hubertus von Amelunxen et al. (eds.): Photography after Photography. Amsterdam: Overseas Publishers Association, 1996. – Portuguese translation: “Analógico, Digital, Projetivo.” Rosângela Rennó (ed.): A última foto. Sao Paulo: Galeria Vermelho, 2006
“Die fotografische Dimension.” Kunstforum International, Cologne, no. 129, January–April 1995
“The Photographic Dimension.” European Photography, Göttingen, no. 53, Spring/Summer 1993
“European Photography.” ICI Photography Awards 1992. Bradford: National Museum of Photography, Film and Television, 1992
“Inszenierende Fotografie.” Andreas Müller-Pohle (ed.): Inscenizacje. Wspólczesna fotografia w Republice Federalnej Niemiec. Warsaw: Stara Galeria ZPAF, 1988. – English translation: “Photography as Staging.” European Photography, Göttingen, no. 34, April/May/June 1988
“Le hasard concretise.” Photographies, Paris, no. 7, May 1985
“Information Strategies.” European Photography, Göttingen, no. 21, January/February/March 1985. – Portuguese translation: “Estratégias de informação.” Boletim, Universidade de São Paulo, no. 3, May 2009. – Estonian translation: “Infostrateegiad.” In: Peeter Linnap (ed.): Silmakirjad 2. Tartu: Tartu Art College, 2009
“Project Photography.” European Photography, Göttingen, no. 13, January/February/March 1983
“Visualism.” European Photography, Göttingen, nr. 3, July/August/September 1980. – Italian translation: “Visualismo.” Rivista di storia e critica della fotografia, Turin, no. 2, 1981. – Greek translation: “Visualism.” Photographia, Athens, no. 11, January/February 1991. – Republished in: Hubertus von Amelunxen (ed.): Theorie der Fotografie IV, 1980–1995. Munich: Schirmer/Mosel Verlag, 2000. – Czech translation: “Vizualismus.” Notebook for Art, Theory and Related Zones, Prague, no. 13, 2012
“Über das Licht. Aspekte einer fotografischen Lichtästhetik.” Dumont Foto 2. Cologne: DuMont Buchverlag, 1980
“Series – Cycle – Sequence – Tableau.” European Photography, Göttingen, no. 1, January/February/March 1980
“Die zweite Avantgarde der Fotografie.” Fotografie, Riesweiler, nr. 7, 1978. – Spanish translation: “La segunda Vanguardia de la Fotografia.” Foto-Dossier, Barcelona, 1979
“Was ist Fotografie? – Versuch einer Annäherung.” Fotografie, Riesweiler, no. 5, 1978
Works in Books, Catalogues, Encyclopedias
Liz Wells: Photography, Curation, Criticism. An Anthology. London/New York: Routledge, 2024
Frances McDonald: Posthumorism. The Modernist Affect of Laughter. London: Bloomsbury Academic, 2022
Stephan Spohr: Die Fotografie im Zeitalter der Digitalisierung. Ästhetik, Epistemologie und Semiotik der Fotografie im Wandel vom analogen zum digitalen Verfahren. Weimar: VDG – Verlag und Datenbank für Geisteswissenschaften, 2022
Geoffrey Batchen: Negative/Positive. A History of Photography. London/New York: Routledge, 2021
Francesca Bulian: Source Code as Image. In: Philippe Kaenel/Kirsty Bell (eds.): Reproducing Images and Texts / La reproduction des images et des textes. Leiden/Boston: Brill, 2021
Białystok Interphoto 2021. International Photography Festival. Białystok: Interphoto, 2021
Gregor Eggenberger: Alles ist Fotografie / Everything is Photography. Vienna: Österreichisches Institut für Photographie und Medienkunst, 2020
Michelle Debat: La photographie: essai pour un art indisciplinable. Saint-Denis: Presses Universitaires de Vincennes, 2020
Schupmann Collection. Fotografie in Westdeutschland / Photography in West Germany. Petersberg: Michael Imhof Verlag, 2020
Yanai Toister: Photography from the Turin Shroud to the Turing Machine. Bristol/Chicago: Intellect, 2020
Edgar Lissel, Gabriele Jutz, Nina Jukić (eds.): Reset the Apparatus! A Survey of the Photographic and the Filmic in Contemporary Art. Berlin/Boston: Walter de Gruyter, 2019
Inga Remmers: Politische Landschaften der Natur. Fotografie des Anthropozäns. Weimar: Jonas Verlag, 2018
Ulrich Pohlmann, Christina Leber (eds.): Land_Scope. Photographic Works from Roni Horn to Thomas Ruff in the DZ Bank Art Collection. Cologne: Snoeck Verlagsgesellschaft, 2018
Philipp Goldbach: Foto/Grafie. Motiv und Metapher der Schrift in der Fotografie. Paderborn: Verlag Wilhelm Fink, 2018
Anne Alessandri, Philippe Costamagna (eds.): Naturel Pas Naturel. Milan: Silvana Editoriale, 2018
Christian Gattinoni, Yannick Vigouroux: Histoire de la critique photographique. Paris: Nouvelles Éditions Scala, 2017
Michelle Debat, Paul-Louis Roubert (eds.): Quand l’image agit! À partir de l’action photographique. Filigranes Éditions, 2017
Marc Lenot: Jouer contre les appareils. De la photographie expérimentale. Arles: Éditions Photosynthèses, 2017
Paul Poley (ed.): Ship 2040. Pioneers in the Maritime Sector. Rotterdam: Grensverleggers.nl, 2017
Peter Weibel: Photography and the Administration of Data. In: Watched! Surveillance, Art and Photography. Cologne: Verlag der Buchhandlung Walther König, 2016
Steffen Siegel: Gegenbilder – Counter-Images. In: Carl Aigner, Nela Eggenberger (eds.): 5×5 Photo Tracks. 25 Years of Eikon. Vienna: Eikon/, 2016
Uta Dietrich (ed.): Thrive Global: People, Planet and Participation – A Folio of Art and Text. Kuala Lumpur: United Nations University, 2016
Gunther Dietrich, Tomás Rodriguez (eds.): Concrete and Generative Photography 1960-2014. Berlin: Photo Edition Berlin, 2016
Tatyana Franck: The Memory of the Future. Photographic Dialogues Between Past, Present and Future. Lausanne: Musée de l’Élysée/Les Éditions Noir sur Blanc, 2016
Geoffrey Batchen: Emanations. The Art of the Cameraless Photograph. Munich-London-New York: Prestel, 2016
Siegfried Zielinski, Daniel Irrgang (eds.): Bodenlos – Vilém Flusser und die Künste. Berlin: Akademie der Künste, 2015
Chen Jianbo (ed.): Photography as Life. Lishui: China Nationality Art Photograph Publishing House, 2015
Ortrud Westheider, Michael Philipp (eds.): Über Wasser. Malerei und Photographie von William Turner bis Olafur Eliasson. Hamburg: Bucerius Kunst Forum, 2015
Martin Parr, WassinkLundgren (eds.): The Chinese Photobook. From the 1900s to the Present. New York: Aperture, 2015
Henrike Holsing, Gottfried Jäger (eds.): Lichtbild und Datenbild – Spuren Konkreter Fotografie / Light Image and Data Image – Traces of Concrete Photography. Heidelberg: Kehrer Verlag, 2015
Éléonore Challine, Laureline Meizel, Michel Poivert (eds.): L’expérience photographique. Histo.Art–6. Paris: Publications de la Sorbonne, 2014
Florian Ebner/Sophia Greiff: (Mis)Understanding Photography. Werke und Manifeste. Essen: Museum Folkwang, 2014
Christoph Tannert (ed.): Berlin Art Scene. Hilden: Becker Joest Volk Verlag, 2014
Duan Yuting (ed.): Farewell to Experience. Lianzhou Foto 2013. Lianzhou: Posts & Telecom Press, 2013
Claudia Giannetti (ed.): Something Other Than Photography: Photo & Media. Oldenburg: Edith-Russ-Haus for Media Art, 2013
Peter Coates: A Story of Six Rivers. History, Culture and Ecology. London: Reaktion Books, 2013
L’objet photographique, une invention permanente. Texts by Anne Cartier-Bresson. Arles: Photo Poche/Actes Sud, 2012
Sense of Place. European Landscape Photography. Munich/London/New York: Prestel Publishing, 2012
Wim Melis/Ton Broekhuis (eds.): Metropolis – City Life in the Urban Age. Groningen: Noorderlicht Photofestival, 2011
Stephen Barber/Michael Benson (eds.): Growth. Prix Pictet 2011. Kempen: te Neues Verlag, 2011
Wolf Lieser: Digital Art. Neue Wege in der Kunst. Potsdam: h.f.ullmann/Tandem Verlag, 2010
Sylvia Wolf: The Digital Eye. Photographic Art in the Electronic Age. Munich-Berlin-London-New York: Prestel, 2010
Michel Poivert: La photographie contemporaine. Paris: Flammarion, 2010
Athens Photo Festival 09. Athens: Hellenic Centre for Photography, 2009
Landskab/Landscape. Fototriennale.dk. Odense: Museet for Fotokunst, 2009
Wolf Lieser: Digital Art. Potsdam: h.f.ullmann/Tandem Verlag, 2009
3. Europäischer Monat der Fotografie Berlin. Berlin: Kulturprojekte Berlin, 2008
Hans Dickel/Lisa Puyplat/Karl Manfred Fischer (eds.): 100 Meisterwerke zeitgenössischer Druckgraphik und Beispiele der Photographie aus der Sammlung der Städtischen Galerie Erlangen. Berlin: Dietrich Reimer Verlag, 2007
Urs Meyer/Roberto Simanowski/Christoph Zeller (eds.): Transmedialität. Zur Ästhetik paraliterarischer Verfahren. Göttingen: Wallstein Verlag, 2006
Andreas Krase/ Agnes Matthias (eds.): Wahr-Zeichen. Fotografie und Wissenschaft. Dresden: Technische Sammlungen Dresden. Museen der Stadt Dresden, 2006
Roberta Valtorta (ed.): Alterazioni. Le materie della fotografia tra analogico e digitale. Milan: Museo Fotografia Contemporanea, 2006
Silke Helmerdig/Martin Scholz: Ein Pixel, Zwei Korn. Grundlagen analoger und digitaler Fotografien und ihre Gestaltung. Frankfurt/Main: Anabas-Verlag, 2006
Václav Macek: Bratislava by the Backdoor 1918–2005. Bratislava: Fotofo, 2005
Roberta Valtorta: Volti della fotografia. Scritti sulla trasformazione di un’arte contemporanea. Milan: Skira editore, 2005
4 Biennale Fotografii. Poznan: Galeria Miejska “Arsenal”, 2005
Steve Crist (ed.): The Polaroid Book. Selections from the Polaroid Collections of Photography. Cologne: Taschen, 2005
Gottfried Jäger/Rolf H. Krauss/Beate Reese: Concrete Photography / Konkrete Fotografie. Bielefeld: Kerber Verlag, 2005
Kürschners Handbuch der Bildenden Künstler. Deutschland, Österreich, Schweiz. Munich–Leipzig: K. G. Saur Verlag, 2005
Mesiac fotografie / Month of Photography 2004. Bratislava: Fotofo, 2004
Encontros da Imagem. Metamorfoses do Real. Braga: Encontros da Imagem, 2004
p0es1s. Digital Poetry. Exhibition Guide, Kulturforum Potsdamer Platz. Berlin: literaturWERKstatt berlin, 2004
Christiane Paul: Digital Art. London-New York: Thames & Hudson, 2003
Hans-Michael Koetzle: Das Lexikon der Fotografen. 1900 bis heute. Munich: Knaur, 2002
Reinhold Mißelbeck (ed.): Prestel-Lexikon der Fotografen. Von den Anfängen 1839 bis zur Gegenwart. Munich: Prestel Verlag, 2002
Gottfried Jäger (ed.): Die Kunst der Abstrakten Fotografie / The Art of Abstract Photography. Stuttgart: Arnoldsche Verlagsanstalt, 2002
FotoFest 2002. The Classical Eye & Beyond: New Technology, Mixed Media, Classical Photography. Houston: FotoFest, Inc., 2002
Vilém Flusser: Una filosofía de la fotografía. Madrid: Editorial Síntesis, 2001
ex machina: Über die Zersetzung der Fotografie. Berlin: Neue Gesellschaft für Bildende Kunst, 2001
Schupmann Collection. Fotografie in Deutschland nach 1945. Brunswick: Museum für Photographie, 2001
Geoffrey Batchen: Each Wild Idea. Writing, Photography, History. Cambridge: The MIT Press, 2001
Photosynkyria 2000. Thessaloniki: Thessaloniki Museum of Photography, 2000
Aires: Luz y Sombra de Las Palmas de Gran Canaria. Las Palmas: Centro Atlantico de Arte Moderno, 1999
Nationalgalerie Berlin (ed.): Das XX. Jahrhundert. Ein Jahrhundert Kunst in Deutschland. Berlin: Nicolaische Verlagsbuchhandlung, 1999
Rencontres Internationales de la Photographie (ed.): Vive les modernités! Arles: Actes Sud, 1999
Macedonian Museum of Contemporary Art. The Permanent Collection. Volume II/Photography. Thessaloniki: Macedonian Museum of Contemporary Art, 1999
Johan Swinnen (ed.): Attack! Photography on the Edge. Antwerpen: Uitgeverij Houtekiet, 1999
Luminita Sabau (ed.): Das Versprechen der Fotografie. Die Sammlung der DG Bank. Munich: Prestel Verlag, 1998
Leo Reijnen (ed.): 14th World Wide Video Festival. The Hague: Stichting World Wide Video Centre, 1996
Milena Slavická (ed.): Výtvarné umení / The Magazine for Contemporary Art. Vilém Flusser Issue. Prague, 1996
Photosynkyria 96. Thessaloniki: Camera Obscura, 1996
Hubertus von Amelunxen / Stefan Iglhaut / Florian Rötzer (eds.): Photography after Photography. Amsterdam: Overseas Publishers Association, 1996
Ulrike Gauss/Barbara Hofmann/Klaus Honnef/Reinhold Mißelbeck: Deutsche Kunst mit Photographie. Die 90er Jahre. Frankfurt/Main: Deutsche Fototage, 1996
Martin Marix Evans (ed.): Contemporary Photographers. 3rd edition. Detroit: St. James Press, 1995
B. Martin Pedersen (ed.): Shoreline. Zurich: Graphis, 1995
International Meetings of Photography. Plovdiv: Photographic Centre, 1994
Mai de la Photo. Reims: Priorité Ouverture, 1994
Wiederbegegnung. Marburg: Marburger Kunstverein, 1993
Deutsche Kunst mit Photographie: Die 90er Jahre. Frankfurt: Deutsche Fototage, 1993
Première Photo. Paris: Galerie du Jour Agnès B., 1992
Gilles Mora (ed.): L’Échappée européenne / Der europäische Ausbruch. Paris–Lasclèdes: Les Cahiers de la Photographie, 1992
Gottfried Jäger: Fotoästhetik. Zur Theorie der Fotografie. Texte aus den Jahren 1965 bis 1990. Munich: Verlag Laterna Magica, 1991
John Stathatos (ed.): The Persistence of Memory. Third Israeli Biennale of Photography. Ein Harod: Mishkan Le’Omanut, Museum of Art, 1991
Gottfried Jäger/Jutta Hülsewig-Johnen (eds.): Das Foto als autonomes Bild – Experimentelle Gestaltung 1839–1989. Stuttgart: Edition Cantz, 1989
Jörg Boström (ed.): Dokument und Erfindung – Fotografien aus der Bundesrepublik Deutschland 1945 bis heute. Berlin: Edition Q, 1989
Fotovision. Projekt Fotografie nach 150 Jahren. Hannover: Sprengel Museum, 1988
Gottfried Jäger: Bildgebende Fotografie. Cologne: DuMont Buchverlag, 1988
Petra Benteler (ed.): Photographie 1945–1985. Hamburg: Museum für Kunst und Gewerbe, 1987
Selections 3. Schaffhausen: Verlag Photographie, 1986
L’Albufera – Visió Tangencial. Valencia: Generalitat Valenciana, 1985
Michèle & Michel Auer: Photographers Encyclopaedia International, 1839 to the present. Hermance: Editions Camera Obscura, 1985
Jean-Claude Lemagny: La Photographie créative. Paris: Contrejour, 1984
Giovanni Chiaramonte (ed.): Fotografia Europea Contemporanea. Milan: Jaca Book, 1983
Photographie in Deutschland: Heute. Antwerp: Koninklijke Akademie voor Schone Kunsten, 1983
George Walsh et al.: Contemporary Photographers. London: Macmillan Publishers, 1982
Carole Naggar: Dictionnaire des photographes. Paris: Editions du Seuil, 1982
Internationales Fotosymposion 1981: Ist Fotografie Kunst? Gehört Fotografie ins Museum? Munich: Mahnert-Lueg Verlag, 1982
Jörg Krichbaum: Lexikon der Fotografen. Frankfurt: Fischer Verlag, 1981
Peter Weibel/Anna Auer (eds.): Erweiterte Fotografie / Extended Photography. 5. Internationale Biennale. Vienna: Wiener Secession, 1981
Petra Benteler (ed.): Photography Europe 1. Houston: Benteler Galleries, 1981
Hugo Schöttle (ed.): Dumont Foto 2. Cologne: DuMont Buchverlag, 1980
Rolf Wedewer (ed.): Vorstellungen und Wirklichkeit – 7 Aspekte subjektiver Fotografie. Cologne: Wienand Verlag, 1980
Selected Reviews, Interviews and Magazine Publications
2023
Katalain Kopin: “Az Értől az Oceánig!” Fotóművészet, Budapest, no. 1, 2023
2019
Liz Wells: “Critical Environments and Photographic Investigations.” Photo Researcher, no. 32, 2019
Paula Gortázar: “Toward an Emancipation of Photographic Vision: ‘Visualism’ Under Czechoslovakian ‘Normalization’ (1968–89).” Photography & Culture, Abingdon, no. 2, 2019
2018
Bernard Stiegler: “The Spirit of Enlightenment in the Age of Philosophical Engineering.” Moscow Art Magazine, Moscow, no. 106, 2018
2016
Nick Thorpe: “The Danube – Shape Shifting River.” Smithsonian Journeys, Washington, D.C., Summer 2016
2015
Geoffrey Batchen: “Apparitions. La matérialité de l’image photographique.” Patrimoines, Paris, no. 11, 2015
Muriel Berthou Crestey: “Recyclages photographiques.” Genesis, Paris, no. 40, 2015
Jürgen Rink: “Andreas Müller-Pohle.” c’t Digitale Fotografie, Hanover, no. 3, 2015
2014
Boris von Brauchitsch: “Andreas Müller-Pohle: Hong Kong Waters.” Eikon, Vienna, no. 84/85, 2014
Isabel Florêncio-Pape: “Andreas Müller-Pohle: Poesia visual e de-figuração / Visual Poetry and U-Figuration.” Aletria – Revista de Estudos de Literatura, Belo Horizonte, Brazil, no. 2, 2014
Richard Bakeš: “Na krásném hnědém Dunaji.” Rajon, Prague, no. 4, 2014
Jan H. Vitvar: “Ve jménu manipulované reality.” Respekt, Prague, no. 35, 2014
Josef Moucha: “Andreas Müller-Pohle ve zkratce.” Atelier, Prague, no. 18, 2014
“Positionen der Abstraktion – Andreas Müller-Pohle.” In: Kathrin Schönegg, Bernd Stiegler (ed.): “Abstrakte Fotografie.” Fotogeschichte, Marburg, no. 133, 2014
2013
Hans-Michael Koetzle: “Untergang des Morgenlandes.” Photo International, Munich, November/December 2013
Ji Hyun Kwon: 안드레아스 뮬러 폴레. Interview. Photo Art magazine, Seoul, no. 12, 2013
“Auf der Wasserlinie.” Der Bund, Bern, 19 October 2013
Ulf Erdmann Ziegler: “Der Horizont ist nur eine Idee. Hong Kong Waters in einem neuen Fotoband von Andreas Müller-Pohle.” Monopol, Berlin, October 2013
“Hongkong unter und über Wasser.” Vice, 27 September 2013
Gregor Auenhammer: “Im Zwischen aquatischer Tiefen und Untiefen.” ÖkoStandard, Vienna, 22 September 2013
“Andreas Müller-Pohle: Hong Kong Waters.” doc!, September 2013
“Something in the Hong Kong Waters.” Art Radar Asia, 23 August 2013
“Fotos aus Hongkong: Nah am Wasser gebaut.” ZEIT Online, 18 July 2013
“Andreas Müller-Pohle | Hong Kong Waters | Kehrer Verlag.” Smart Magna, 3 June 2013
“Disambiguation – Hong Kong Waters.” Scopio, Porto, April 2013
2012
“Andreas Müller-Pohle: Transformance | Vilém Flusser: Handlungen.” Philosophy of Photography, London, no. 2, 2012
2011
“Sie sind fluid, geschmeidig.” Interview by Ronald Berg. Die Tageszeitung, Berlin, 17/18 December 2011
2010
“30 Years of European Photography.” Interview by Peter Kunitzky. Eikon, Vienna, no. 69, 2010
Andreas Müller-Pohle: “Atomic Laughter.” The Outlook Magazine, Shanghai, no. 93, 2010
2008
Lajos Adamik: “Intim felvételek egy síkostestü óriásról / The Danube River Project.” Balkon, Budapest, no 7/8, 2008
“Komplexes Bild vom großen Strom.” Photo International, Munich, no. 6, 2008
Dimana Trankova: “And the Danube flows on. Andreas Müller-Pohle’s photography reveals unknown dimensions of a symbol of united Europe.” Vagabond, Sofia, no. 25, 2008
“Über Wasser und unter Wasser. ‘The Danube River Project’ des Fotografen Andreas Müller-Pohle.” Göttinger Tageblatt, Göttingen, 1 October 2008
Erwin Riess: “Fluss, Schiff, Fahrt.” Die Presse, Vienna, 30 August 2008
Boris von Brauchitsch: “Flussabwärts durch zehn Länder.” Kunst und Auktionen, Munich, no. 14, 2008
Wenzel Müller: “Aus der Fischperspektive. The Danube River Project: Die Donau einmal anders gesehen.” Ärzte Woche, Vienna, no. 20, 2008
Ronald Berg: “Andreas Müller-Pohle: The Danube River Project.” Eikon, Vienna, no. 62, 2008
“Wasserkanten. The Danube River Project – Andreas Müller-Pohle.” p3 Print Picture Passion, Meerbusch, no. 1, 2008
Enno Kaufhold: “Andreas Müller-Pohle. The Danube River Project.” Photonews,
Hamburg, no. 4, 2008
Marc Peschke: “In Donauwellen.” Photoscala, Internationales Online-Magazin für Photographie, 23 February 2008
Brigitte Werneburg: “Mit einer Unterwasserkamera in den Fluss getaucht – Andreas Müller-Pohle betrachtet die Donau aus ihrer eigenen Perspektive.” die tageszeitung, Berlin, 14 January 2008
2007
Karin Derstroff: “Die Poesie des Flusses. Andreas Müller-Pohles ‘Danube River Project’ im Stadtmuseum Ingolstadt.” Donau-Kurier, Ingolstadt, 19 July 2007
2006
Gabriele Mayer: “Das geheimnisvolle Klirren des Wassers am Donaumarkt. Andreas Müller-Pohles Medieninstallation.” Mittelbayerische Zeitung, Regensburg, 20 October 2006
Katarína Gatialová: “Z vody von. Iný pohl’ad Andreasa Müller-Pohleho.” Domino, Bratislava, 28 July 2006
Helmut Pusch: “Durchs Fischauge gesehen. Andreas Müller-Pohles ‘Danube River Project’.” Südwest Presse, Ulm, 29 March 2006
Bozhidara Georgieva: “. . . and the Danube flows on.” Bulgaria Air Inflight Magazine, Sofia, nr. 32, 2006
Roman Schmidt: “Blue Danube. Andreas Müller-Pohle’s ‘Danube River Project’.” Eikon, Vienna, nr. 54, 2006
2005
Bogna Blazewicz: “Kod zycia – kod sztuki.” Gazeta Malarzy i Poetów, Poznan, nr. 3, 2005
Marianna Michalowska: “Pochwala eksperymentowania.” Gazeta Malarzy i Poetów, Poznan, nr. 3, 2005
“Interfaces – or the Face out of Sight. Andreas Müller-Pohle’s Face Codes.” Fotografia, Wrzesnia, Poland, nr. 18, 2005
Pavel Turek: “Jednosmerné cesty.” Zivel, Prague, nr. 25, 2005
2004
“Developing European Contacts.” Interview by Ronald Berg. Eikon, Vienna, nr. 46, 2004
Ronald Berg: “codeZone. Digitale Arbeiten von Andreas Müller-Pohle.” Kunstforum International, Cologne, nr. 168, January–February 2004
2003
Ronald Berg: “Die Macht der Pixel.” Die Tageszeitung, Berlin, 17 November 2003
“Arta de a distinge intre realitate si fictiune.” Interview by Marius Stefanescu. Cotidianul, Bucharest, 4 November 2003
“Digitale Arbeiten von Andreas Müller-Pohle.” a&a, Munich, nr. 3, 2003
Antje Hartmann: “Der Mars ist ein Dorf in Ostdeutschland.” Braunschweiger Zeitung, Brunswick, 17 October 2003
Artphoto, Bucharest, nr. 3, 2003
2002
“Atomic Laughter, the most recent work by Andreas Müller-Pohle.” Artphoto, Bucharest, nr. 1, 2002
2001
Eikon, Vienna, nr. 36/37, 2001
“Andreas Müller-Pohle: Nemurirea digitala.” Interview by Márta Nagy and Lajos Adamik. Balkon, Cluj-Napoca/Romania, nr. 8, September 2001
“Andreas Müller-Pohle: Partitions Digitales III.” Influx, Paris, nr. 2, 2001
Lajos Adamik: “Élet a Marson. Andreas Müller-Pohle: Sojourner II, 1997/99.” Balkon, Budapest, nr. 00/12, 01/01, 2001
2000
Dieter Roelstraete: “Andreas Müller-Pohle, Interfaces.” Obscuur, Gent, nr. 18, December 2000
“Müller-Pohle: Nás svet vizuálne exploduje.” Interview by Jan H. Vitvar. Mladá Fronta/Dnes, Prague, 29 November 2000
“Photographie Deutschland.” Interview by Masafumi Fukagawa. Asahi Camera, Tokyo, nr. 7, July 2000
Paris Photo European Guide, Paris, nr. 8, spring 2000 (cover)
Roberta Valtorta: “Il problema è adeguarsi.” D’Ars, Milan, nr. 161, January 2000
1999
“Los programadores informáticos se han convertido en los literatos de hoy en día.” Interview by Clara Muñoz. La Provincia, Las Palmas de Gran Canaria, 26 December 1999
Matthias Groll: “Ins Universum der visuellen Schnittstellen.” Kunstforum International, Cologne, nr. 146, July–August 1999
Denis Brudna: “Interfaces. Eine Ausstellung von Andreas Müller-Pohle.” Photonews, Hamburg, nr. 4, 1999
Matthias Groll: “Die Sense im Auge.” Die Tageszeitung, Berlin, 10/11 April 1999
Dirk Schwarze: “Bis zur Auflösung der Bilder.” Hessische/Niedersächsische Allgemeine, Kassel, 31 March 1999
Klaus P. Sommer: “Was ich nicht sehe, fotografiere ich.” Göttinger Tageblatt, Göttingen, 29 March 1999
Peter Badge: “Bilder aus dem Schredder.” Hannoversche Allgemeine Zeitung, Hannover, 24 March 1999
1998
Peter Badge: “Entfesselte Kamera.” Berliner Zeitung, Berlin, 16 November 1998
Andreas Müller-Pohle: “Digital Scores.” Creative Camera, London, June/July 1998
“An die Stelle der Wahrheit ist die Wahrscheinlichkeit getreten.” Interview by Peter Badge. Göttinger Tageblatt, Göttingen, 2 June 1998
“Digitális halhatatlanság” (Digital Immortality). Interview by Márta Nagy and Lajos Adamik. Balkon, Budapest, nr. 4, 1998
Beate Lakotta: “Wie real ist ein Pixel?” Spiegel special, Hamburg, nr. 3, 1998
A.D. Coleman: “Andreas Müller-Pohle, Germany.” ARTnews, New York, nr. 2, February 1998
1997
Edward J. Sozanski: “Print Center.” Philadelphia Inquirer, Philadelphia, 21 November 1997
Johannes Birringer: “After Photography? Synopsis by Andreas Müller-Pohle.” Spot, Houston, Fall 1997
Christoph Blase: “Schnipseltanz. Neue Fotografie in Braunschweig.” Frankfurter Allgemeine Zeitung, Frankfurt, 21 November 1997
Peter Badge: “Ein donnerndes Bildgewitter.” Göttinger Tageblatt, Göttingen, 7 November 1997
Thomas Kempf: “Entropia – Rettung durch Vernichtung.” Eikon, Vienna, nr. 21/22, Fall 1997
Yves Abrioux: “Andreas Müller-Pohle.” Untitled, London, nr. 13, Spring 1997
Anthony Georgieff: “Entropia.” Katalog, Odense, nr. 3, Summer 1997
Matthias Groll: “Ekstase des Bildermülls. Andreas Müller-Pohle im Kunstverein Rüsselsheim.” neue bildende kunst, nr. 3, June/July 1997
Kristin Holighaus: “Kleinbilder als Schneegestöber über dem Schredder.” Frankfurter Rundschau, Frankfurt, 3 April 1997
Michael Hoffmann: “Wie Papierschnitzel tanzen. Videoinstallation in Rüsselsheim macht aus Abfall Kunst.” Frankfurter Allgemeine Zeitung, Frankfurt, 2 April 1997
Peter Kämmerer: “Über Untergang und Auferstehung. Andreas Müller-Pohles Videoinstallation ‘Entropia’ in der Rathaus-Rotunde.” Main-Spitze, Rüsselsheim, 15 March 1997
1996
“Ein Bild – Zu den ‘Digitalen Partituren’ nach Nicéphore Niépce (A. Müller-Pohle).” Rundbrief Fotografie, Dresden, nr. 11, 1996
Jean Arrouye: “De Perrudja à Perlasca.” Contretype, Brussels, nr. 49, January/February 1996
1995
Erik Eelbode: “De fotoverbrijzelaar. Andreas Müller-Pohle in Galerie Contretype.” De Morgen, Ghent, 11 December 1995
Hubertus von Amelunxen: “Perlasca Pictures.” Extra Camara, Caracas, nr. 4, July/August/September 1995
Helga Schmalhorst: “Mit reduzierten Zeichen Nerv des Entsetzens wecken.” Hildesheimer Allgemeine Zeitung, Hildesheim, 2 May 1995
1994
Hubertus von Amelunxen: “Andreas Müller-Pohle.” European Photography, Göttingen, nr. 55, Spring/Summer 1994
1993
Hubertus von Amelunxen: “Perlasca Pictures.” Eikon, Vienna, nr. 7/8, 1993
“Galeria expoe Mueller-Pohle.” Folha de São Paulo, São Paulo, 11 May 1993
Luiz Zanin Oricchio: “Andreas instiga a imaginaçao.” Estado de São Paulo, São Paulo, 7 May, 1993
Alain Julliard: “Perlasca Motion Pictures.” Images, Geneva, nr. 2, 1993
Carl Aigner: “Am Nullpunkt der Wahrnehmung. Vom Verschwinden der Bilder.” Wiener Zeitung, Vienna, 5 February 1993
1992
Jean-Claude Lemagny: “Fleuve profond. Sur l’évolution de la création photographique depuis vingt ans.” Art Press, Paris, numero spécial 20 ans, 1992
Klaus U. Reinke: “Kamera-Experimente.” Handelsblatt, Düsseldorf, 10 January 1992
1991
“L’ombre.” La Recherche photographique, Paris, nr. 11, December 1991
Andreas Quappe: “Andreas Müller-Pohle: Die Apparatur schafft ihre eigene Ästhetik.” Märkische Oderzeitung, Frankfurt/Oder, 23 August 1991
Ulf Erdmann Ziegler: “Polaroid-Christo. Über Andreas Müller-Pohle, Aura, Orte und Fotografien.” Die Tageszeitung, Berlin, 19 August, 1991
Ullrich Wallenburg: “Bilder als möglicher Gegenentwurf.” Lausitzer Rundschau, Cottbus, 6 August 1991
“Pohle mostra a grandeza da imagem.” Hoje em Dia, Belo Horizonte, 10 July 1991
1989
“W poszukiwaniu europejskiej tozsamósci” (Interview by Barbara Kosinska and Jan M. Jackowski). Fotografia, Warsaw, nr. 51, January/ February/March 1989
“Ten Years Later.” European Photography, Göttingen, nr. 40, October/November/December 1989
1986
Stefania Bril: “A visita de Andreas Müller-Pohle.” Iris, São Paulo, nr. 399, December 1986
“O fotógrafo Mueller-Phole mostra sua técnica no MIS.” Folha de São Paulo, São Paulo, 8 October 1986
“International issue.” Ovo Magazine, Montréal, nr. 59/60/61, 1986 Olek, Jerzy.
“Summing up the past.” Projekt, Warsaw, nr. 169, July/August 1986
Kulakowska, Józefa. “Poruszony swiat.” Sztandar Myodych, Warsaw, 4 April 1986
“Con pochi elementi e un’abile ‘mossa’ Müller-Pohle dà vita alla fantasia.” Arte, Milan, January 1986
1985
“Les voies de l’abstraction.” Photographies, Paris, nr. 7, May 1985
“Am Anfang war das Chaos.” Tageblatt, Luxemburg, 13/14 April 1985
“Photography: Today/Tomorrow (I).” European Photography, Göttingen, nr. 21, January/February/March 1985
1984
“Andreas Müller-Pohle. Interview von Bas Vroege.” Perspektief, Rotterdam, nr. 18/19, November/December 1984
“Abenteuer aus der freien Hand.” Art, Hamburg, nr. 7, July 1984
Alain D’Hooghe: “Müller-Pohle: Transformance.” Clichés, Brussels, nr. 7, June 1984
José de Sousa Machado: “Andreas Müller-Pohle: A visão crítica do real.” Semanário, Lisbon, 19 May 1984
Susan Zwinger: “Not-So-German Eyes.” The Santa Fe Reporter, Santa Fe, 16 May 1984
1983
Vilém Flusser: “Andreas Müller-Pohle: Transformance.” Photovision, Madrid, nr. 8, July/August/September 1983
1982
Thomas Albright: “International Photography.” ARTnews, New York, nr. 10, December 1982
“Bildunfälle in Schwarzweiß.” Nürnberger Zeitung, Nuremberg, 2 September 1982
Freddy Langer: “‘Ich sehe was, was du nicht siehst.’ Fotografien von Andreas Müller-Pohle.” Frankfurter Allgemeine Zeitung, Frankfurt, 22 February 1982
Manfred Schuchmann: “Licht-Bilder. Andreas Müller-Pohle in der foto-art Galerie.” Frankfurter Rundschau, Frankfurt, 20 February 1982
1981
Allan Porter: “Eine neue deutsche Vision.” Camera, Luzern, nr. 8, August 1981
Rupert Martin: “New German Photography.” European Photography, Göttingen, nr. 5, January/February/March 1981
“Mit Fotos die visuelle Welt verletzen.” Neue Zeit, Graz, 10 June 1981
“Das Sehen lehren.” Hannoversche Allgemeine Zeitung, Hannover, 14 May 1981
Michael Köhler: “Die Kamera als Kunstmedium.” Süddeutsche Zeitung, Munich, 10 März 1981
Dirk Schwarze: “Erst die Serie macht es.” Rheinische Post, Düsseldorf, 21 February 1981
1980
Joan Fontcuberta: “Visualismo.” El Correo Catalan, Barcelona, 2 October 1980
“European Portfolio I.” Printletter, Zürich, nr. 28, July/August 1980
Andreas Müller-Pohle: “Visualism.” European Photography, Göttingen, nr. 3, July/August/September 1980
1979
“Visualismus in Schwarzweiß.” Zoom, Munich, nr. 12, December 1979
“Andreas Müller-Pohle: About visual questioning. Interview by Marco Misani.” Printletter, Zürich, nr.23, September/Oktober 1979
“Andreas Müller-Pohle.” Photographie, Schaffhausen, nr. 1, January 1979
1978
“Zur Geometrie gekappte Realität.” Die Welt, Bonn, 21 August 1978
“Die zweite Avantgarde der Fotografie.” Weinheimer Nachrichten, Weinheim, 1 December 1978
Krichbaum, Jörg. “Fotografie: ein gedanklicher Prozeß.” Fotografie, Riesweiler, nr. 6, 1978
Works in Public Collections
ZKM | Zentrum für Kunst und Medien, Karlsruhe
Hong Kong Heritage Museum, Hong Kong
New Orleans Museum of Art, New Orleans
Hong Kong Arts Centre, Hong Kong
Donauschwäbisches Zentralmuseum, Ulm
Städtische Galerie Erlangen, Erlangen
Fonds régional d’art contemporain, Corsika (Frac Corse)
Museum of Contemporary Photography, Chicago
Centro Atlantico de Arte Moderno, Las Palmas
Macedonian Museum of Contemporary Art, Thessaloniki
Museum of Fine Arts, Houston
Museet for Fotokunst, Odense
DZ Bank Collection, Frankfurt/Main
Brandenburgische Kunstsammlungen, Cottbus
Maison Européenne de la Photographie, Paris
Institut Valencià d’Art Modern, Valencia
San Francisco Museum of Modern Art, San Francisco
Center for Creative Photography, Tucson, Arizona
Prentenkabinet, Rijksuniversiteit te Leiden, Leiden
Sammlung Fotografis Länderbank, Vienna
Musée Cantini, Marseille
Polaroid Collection, Paris
Museum für Kunst und Gewerbe, Hamburg
Bibliothèque Nationale de France, Paris
Teaching
2019
Master Class, Istituto Europeo di Design, Madrid
2017
Master Class, Istituto Europeo di Design, Madrid
2016
Visiting fellow at Hong Kong Design Institute, Hong Kong
2015
Workshop, Mt. Rokko International Photo Festival, Kobe
Visiting fellow at Hong Kong Design Institute, Hong Kong
Master Class, Istituto Europeo di Design, Madrid
2013
Master Class, Istituto Europeo di Design, Madrid
2011
Master Class, Istituto Europeo di Design, Madrid
2009
Workshop, Hong Kong Art School, Hong Kong
2005
Foundation of Eye-Mind, Berlin
2004
Workshop, Muzeul Literaturii Române / Romanian Literature Museum, Bucharest
2003
Workshop, Goethe-Institut, Bucharest
2002
Workshop, Seian University of Art and Design, Shiga
2001
Workshop, German-Japanese Institute, Kyoto
2000
Workshop, Art Village Center, Kobe
1998
Workshop, Gallery Ississ, Kyoto
Workshop, Kunsthalle Tirol, Hall/Innsbruck
1997–2004
Visiting professor at the Higher Institute for Fine Arts, Antwerp
1991
Workshop, Universidade Federal de Minas Gerais, Belo Horizonte
1990
Workshop, Salzburg College, Salzburg
1987
Workshop, Salzburg College, Salzburg
Seminar, Institut für Publizistik- und Kommunikationswissenschaft, Georg-August-Universität, Göttingen
1986
Seminar, Institut für Publizistik- und Kommunikationswissenschaft, Georg-August-Universität, Göttingen
Workshop, Museu da Imagem e do Som, São Paulo
Workshop, Universidade Federal do Rio Grande do Sul, Porto Alegre
Workshop, Universidade Federal de Minas Gerais, Belo Horizonte
Workshop, Funarte, Rio de Janeiro
1985
Workshop, Salzburg College, Salzburg
1984
Workshop, Salzburg College, Salzburg
Workshop, Universidade Artistica, Porto
Workshop, Centro de Estudos de Fotografia, Coimbra
Workshop, Salzburg College, Salzburg
1983
Workshop, Team 78, Millstatt, Austria
1982
Workshop, Salzburg College, Salzburg
Workshop, XIII. Rencontres Internationales de la Photographie, Arles
Workshop, International Center of Photography/New School for Social Research, New York
1981
Workshop, Salzburg College, Salzburg
Workshop, XII. Rencontres Internationales de la Photographie, Arles
Workshop, Galerie Novum, Hannover
Workshop, Work Gallery, Zürich
Seminar, Georg-August-Universität, Göttingen, Institut für Publizistik- und Kommunikationswissenschaft
1980
Seminar, Georg-August-Universität, Göttingen, Institut für Publizistik- und Kommunikationswissenschaft
1979
Workshop, Work Gallery, Zürich
Symposia, Lectures, Artist Talks
2015
“Art & Publishing”, Artist Conversation with Tse Mingchong, Master Lecture Series, Hong Kong Design Institute
2014
“Photography Magazines: Boom or Crisis?”, Roundtable Discussion with Erik Vroons, Mauro Bedoni and Arianna Rinaldo, OjodePez Photo Meetings, Barcelona
2013
“Nach der Philosophie der Fotografie?”, Artist Conversation with Claudia Giannetti, Edith-Russ-Haus for Media Art, Oldenburg
“Hong Kong Waters”, Artist Conversation with Oscar Ho, Asia One Vertical Art Space, Hong Kong
2011
“Photography of the 80s”, Institut Français/Fotograf Festival, Prague
“Codes & Waters”, Artist Conversation with Tse Mingchong, Hong Kong Arts Centre
2010
“Codes & Waters”, Nessim Galéria, Acax/Goethe-Institut, Budapest
2005
“Re(-)viewing the City”, Guangdong Museum of Art, Guangzhou
2003
Goethe-Institut, Bucharest
“Flusser Evening,” Jazz Club Zelezná, Prague
2002
Goethe-Institut, Kyoto
2000
Vysoká skola výtvarných umení, Bratislava
Art Village Center, Kobe
“Zukunft denken. Der Kommunikationsphilosoph Vilém Flusser”, Goethe-Institut, Tokyo
The Museum of Contemporary Photography, Chicago
1999
Centro Atlantico de Arte Moderno, Las Palmas
1998
Kyoto University of Art and Design, Kyoto
1997
Museum für Photographie, Brunswick
“Artissima,” Fiera d’Arte Moderna e Contemporanea, Turin
Goethe-Institut, Houston
Goethe-Institut, Atlanta
Vu – Centre de la Photographie, Québec
1996
Goethe-Institut, Tokyo
Brandenburgische Kunstsammlungen, Cottbus
“Fotografie nach der Fotografie”, Kunst.Halle.Krems, Krems
“Photosynkyria 96”, European School of Photography, Thessaloniki
1995
“Mois de la Photo à Montréal”, Maison de la Culture Frontenac, Montreal
Roemer- und Pelizaeus-Museum, Hildesheim
1994
“International Meetings of Photography”, Vuzrazhdane Library, Plovdiv, Bulgaria
Centro Galego de Artes da Imaxe, Universidade de Santiago de Compostela
Fotoforum West, Innsbruck
1993
SESC Fábrica Pompéia, São Paulo
1992
Institut für Wissenschaft und Kunst, Vienna
1991
Universidad Complutense, El Escorial/Madrid
Centro Cultural, Belo Horizonte
Museu de Arte Moderna, Rio de Janeiro
Konstfack, Stockholm
1990
École des Beaux Arts, Aix-en-Provence
“Primavera Fotogràfica a Catalunya”, Centre d’Art Santa Mònica, Barcelona
1989
“International Month of Photography”, Contemporary Art Center Ileana Tounta, Athens
1988
“9.os Encontros de Fotografia de Coimbra”, Hotel Avenida, Coimbra
Polska Akademia Nauk, Instytut Sztuki, Warsaw
Galeria ZPAF, Kraków
1986
Universidade de São Paulo, Escola de Comunicacoes e Artes, São Paulo
Museu da Imagem e do Som, São Paulo
Funarte, Curitiba
Universidade Federal do Rio Grande do Sul, Porto Alegre
Universidade Federal de Minas Gerais, Belo Horizonte
Funarte, Rio de Janeiro
“Houston FotoFest”, Houston
1985
“Karl Hofer-Symposion 1985”, Hochschule der Künste, Berlin
“Internationell Fotofestival”, Malmö
“Fotomostra ’85”, Lérida
Hochschule Hildesheim, Hildesheim
1984
“5. Bielefelder Symposium über Fotografie”, Bielefeld
Escola Superior de Belas-Artes, Porto
Edificio Chiado, Coimbra
“Primavera Fotogràfica a Catalunya”, Barcelona
1983
Hochschule für Bildende Künste, Brunswick
1982
Princeton University, Princeton
New School for Social Research, New York
“When Words Fail.” International Colloquium, Goethe House/International Center of Photography, New York
1981
“6. Internationales Symposium der Sammlung Fotografis Länderbank”, Vienna
“II. Internationales Foto-Symposion”, Schloß Mickeln, Düsseldorf
The Photographers’ Gallery, London
1980
Fachhochschule Köln, Cologne
Centro de Ensenanzas de la Imagen, Barcelona
Fundació Miró, Barcelona